jennifer jacobs ucsb

Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. He is a Fellow of the Optical Society of America and of the American Association for the Advancement of . Trained in computer science, design, and fine art, Jacobs received her Ph.D. from the Massachusetts Institute of Technology's Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. His studio in Beijing specializes in live music performance over highspeed networks. Assistant Professor (Computational Craft and Haptic Media) GH Jacobs, JA Fenwick, GA Williams. Jennifer Jacobs is an American journalist who is currently a senior White House correspondent for Bloomberg News. They are being embedded into the world around us, and we are carrying (soon wearing) them wherever we go. When he arrived at UCSB, McCray became more interested in the history of nanotechnology and how it intersected with his prior research on the history of materials. Computers are becoming more ubiquitous, appearing in a proliferation of shapes and sizes. Professor Jennifer Jacobs. Julie Estabrook All artwork and text on this site are the exclusive copyrighted works ofthe artist or author. We develop domain-specific programming languages that allow practitioners to extend and modify software tools as they create. Her research and teaching encompass environmental media, the history and theory of electronic media, game studies, science and technology studies, and sound studies. Jeremy covers Western water, weather and legal issues for E&E News, where he has worked since February 2011. . 0000005687 00000 n 0000009548 00000 n This field is for validation purposes and should be left unchanged. Dr. Visell spent more than five years in sound, signal processing, and interactive technology research at leading technology companies. Her group has recently developed and released AppScale - an open-source platform-as-a-service cloud computing system that implements the Google App Engine (GAE) APIs and that facilitates next-generation cloud computing research. At UChicago CS, we welcome students of all backgrounds and identities. Santa Barbara, California 93106-1120. Despite this trend, computational and manual forms of creation are not mutually exclusive. Jacobs received her Ph.D. from the Massachusetts Institute of Technologys Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. In this talk, I argue that by developing methods to integrate computational production with manual and physical making, we can dramatically expand the expressive potential of computers and broaden participation in computational production. His contribution to the digital media field since the early stages of its formation into a discipline in the early 1990s has been in intersecting cultural content with data processing as a means of creating new forms of aesthetic representations and socio-cultural narrative experiences. Assistant Professor, Media Arts and Technology and Computer Science (by courtesy), The Expressive Computation Lab's objective is to foster the development of expressive computational tools for art, design, and engineering. Jennifer Jacobs is Assistant Professor in Media Arts and Technology and Computer Science (by courtesy) at the University of California, Santa Barbara. His work was exhibited internationally at multiple biennales and festivals (Venice, Gwangju, Brussels, Manifesta, Johannesburg, Istanbul), at the documenta X in Kassel, several ISEA exhibitions, several Ars Electronica presentations and major museums, such as the P.S.1 MOMA, New Museum of Contemporary Art, ICC NTT Tokyo, YCAM Yamaguchi, Van Abbemuseum and others. Dr. Visell is a faculty member at UC Santa Barbara, in the Media Arts and Technology Program, Electrical and Computer Engineering Department, and Mechanical Engineering Department (by courtesy). His research includes haptic engineering and perception, robotics, human-computer interaction, analog, digital, and spatial sound, motivated by emerging opportunities in human-computer interaction, sensorimotor augmentation of the human body, soft robotics, and interaction in virtual reality. A state-of-the-art research and teaching facility. BibTeX. Furthermore, Ill discuss how collaborating with practitioners from art, craft, and manufacturing can diversify approaches to knowledge production in systems engineering and open new research opportunities in computer science. University of California Santa Barbara Elings Hall Room 2215 Santa Barbara, CA, 93106 jmjacobs@ucsb.edu jenniferjacobs.co Research Interests . JENNIFER JACOBS Updated: Oct 21st, 2019. 0000132831 00000 n We need to make computers accessible to all people in all situations. Alexis Crisostomo Campus Beat Reporter On Aug. 21, UC Santa Barbara's (UCSB) University & Community Housing Services Manager, Jennifer Birchim, sent an email to the campus community regarding the lack of available housing for UCSB students during the upcoming fall quarter. The projects explore alternative, distributed and unintentional collaborations and expressions of these collectives. To answer these questions, our current work focuses on Human-Computer Interaction (HCI), eXtended Reality (XR), and Human-Centered Artificial Intelligence (AI). Composer Joo Pedro Oliveira holds the Corwin Endowed Chair in Composition for the University of California at Santa Barbara. Professor Emeritus Trained in computer science, design, and fine art, Jacobs received her Ph.D. from the Massachusetts Institute of Technologys Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. Cc bi vit sau y c hp nht trong Scholar. He is a founding member and co-PI for the NSF-funded Center for Nanotechnology in Society at UCSB. Ph.D. Massachusetts Institute of Technology, MAT and Computer Science. In spring 2016, she received the Silver Award in the annual Edison Awards Global Competition that honors excellence in human-centered design and innovation. From 1994-2010 he was a member of the International Academy of Electroacoustic Music in Bourges, France. I am strangely not a huge fan of capers. 1306 28 Office: ED 3224, Katie Blackwell Founder of J METHOD Fitness BA University of Oregon, Computer Science, Media Arts and Technology. ,01nXu`LzG3:0e`\qS9Ol*+20r2d01!X~>'@ 4cc endstream endobj 1332 0 obj <>/Filter/FlateDecode/Index[77 1229]/Length 53/Size 1306/Type/XRef/W[1 1 1]>>stream Jennifer JACOBS of University of California, Santa Barbara, CA (UCSB) | Contact Jennifer JACOBS "Computation shapes the way people make things," said Stanford Computer Science researcher Jennifer Jacobs to a crowded room in Elings Hall during a Media and Art Technology seminar last week. Jennifer Jacobs, Assistant Professor Media Arts Technology Program Gregory Johnson, Professor Religious Studies Georgios Koutroulakis, Lecturer PSOE Physics . Beyond this, Tobias's main research interests lie in virtual reality, 3D displays and interaction, visualization, mobile and wearable computing, and adaptive user interfaces. The Laws of Cool: Knowledge Work and the Culture of Information, Local Transcendence: Essays on Postmodern Historicism and the Database, Transcriptions: Literature and the Culture of Information, Literature and the Culture of Information, Transliteracies: Research in the Technological, Social, and Cultural Practices of Online Reading. In line with this vision, ECG builds new computational tools that enable artists, designers, and engineers to integrate core computational affordances with their own knowledge and practices. Design and Tailoring of Alloys for Additive Manufacturing. His textbook The Computer Music Tutorial (1996, The MIT Press) is widely adopted as a standard classroom text and has been published in French (1999, third edition 2016), Japanese (2001), and Chinese (2011). MFA San Francisco Art Institute. From 2008-13, he held the position of Canada Research Chair in Telemedia Arts (University of Calgary). His commission for the Seattle Public Library, "Making Visible the Invisible", begun in 2005 is a permanent installation consisting of algorithms that statistically analyze the flow of books and other media that are checked-out daily from the library to map out how library culture is changing over time. Jennifer Jacobs is Assistant Professor at the University of California Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). Interested candidates should contact us. Assistant Professor of Media Arts and Technology. He initiated and in 1986 co-founded GIMIK: Initiative Music and Informatics Cologne and served as chair for thirteen years. Jennifer Jacobs and Amit Zoran Hybrid Practice in the Kalahari: Design Collaboration Through Digital Tools and Hunter Gatherer Craft. Ken is on the editorial board of the Journal of Organised Sound and advisor to the Electroacoustic Music Studies Asian Network (EMSAN). Metallurgical and Materials Transactions A: Physical Metallurgy and Materials Science. Regents of the University of California. She is also affiliated with UCSB's Center for Responsible Machine Learning (CRML). 1306 0 obj <> endobj xref He worked in interactive art and design R&D at FoAM, Belgium, at the Interaction Design Institute Ivrea, and at the art+technology organization Zero-Th, which he co-founded in 2005. His research interests include algorithms for image synthesis, computational image processing, and computational photography, and he is a co-author of over 30 technical publications, including seven SIGGRAPH/SIGGRAPH Asia publications. Pradeep Sen is a Professor in the UCSB MIRAGE Lab in the Department of Electrical and Computer Engineering at the University of California, Santa Barbara. 0000008107 00000 n Department of Film and Media Studies, 2018 Social Sciences and Media Studies Building. She also received an M.F.A. 7L\:v~7Yma{f-]"+P n]eph&dk@KAn+l94#sPkJ\Weje*KP Wl". Dr. Jacobs is a faculty member at UC Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). Department of Art Jacobs received her Ph.D. from the Massachusetts Institute of . Karin Lohwasser Pre-Professional Coordinator: Department of English. Hybrid craft: showcase of physical and digital integration of design and craft skills, Digital craftsmanship: HCI takes on technology as an expressive medium, Extending manual drawing practices with artist-centric programming tools, Supporting expressive procedural art creation through direct manipulation, Remote Learners, Home Makers: How Digital Fabrication Was Taught Online During a Pandemic, Direct and immediate drawing with CNC machines, What We Can Learn From Visual Artists About Software Development, Crosscast: Adding Visuals to Audio Travel Podcasts, Dresscode: supporting youth in computational design and making, Supporting Visual Artists in Programming through Direct Inspection and Control of Program Execution, Dynamic Brushes: Extending Manual Drawing Practices with Artist-Centric Programming Tools, Remote Learners, Home Makers: How Digital Fabrication WasTaught Online During a Pandemic, Algorithmic craft: the synthesis of computational design, digital fabrication, and hand craft, Making at a Distance: Teaching Hands-on Courses During the Pandemic, Learning remotely, making locally: Remote digital fabrication instruction during a pandemic, Multi-View AR Streams for Interactive 3D Remote Teaching, Dynamic drawing: Broadening practice and participation in procedural art. Media Arts and Technology, University of California Santa Barbara, United States, Andrs Monroy-Hernndez. 1960). We couldn't do it without you, our amazing faculty and staff members. Expressive Computation Lab website: ecl.mat.ucsb.edu. In his role as CREATE Research Director he leads interactive distributed computation research and development at the Allosphere Research Facility. In the course of our research, we explore new methods to integrate iterative systems engineering with professional creative practices. In 2004, he began researching a new method of sound analysis that is the analytical counterpart of granular synthesis called dictionary-based pursuit (DBP). tepapp@education.ucsb.edu He is currently writing a new book about "visioneers" - people who used their technical expertise to promote visions of a more expansive future made possible by the technologies they studied, designed, and promoted. He undertook speech recognition research at Vocal Point Inc., now part of Nuance (makers of Siri), and sonar R&D at ARL Austin. He was visiting faculty at UCLA, Nova Scotia College of Art & Design, and the National Academy of Fine Arts, Budapest, Hungary. in Electrical Engineering in 1998 in the area of electron-beam lithography. 0000005189 00000 n Jennifer Jacobs, Sumit Gogia, Radomir Mech, and Joel Brandt. His artistic works have exhibited at some of the most prominent cultural venues in the world. The experiments, projects and courses we do and offer contribute to the arts-engineering / scientific community in the following way: 1) Explore new forms of visualizations through implementation of advanced knowledge of visual language, image syntax and semiotics 2) Rapid testing of concepts through visual/spatial/interactive means 3) Address image-based research that are on the fringe of engineering / science research for artistic exploration. In 2008, CREATE released EmissionControl, a new program for sound granulation written by David Thall in consultation with Curtis Roads. The new release (2021) includes support for Open Sound Control. Connect With UC SANTA BARBARA. Hours:M-F, 8-4, Schedule virtual office hours with Samantha, Education Specialist Extensive Support Needs (ESC, Special Ed) The Experimental Visualization Lab (ExpVisLab) is one of 7 dedicated research labs in the Media Arts & Technology arts-engineering program at UCSB. She has presented her work and research at places such as Blum & Poe Gallery, LACMA, Frieze LA, and SOMArts Cultural Center. Professor of Computer Science. Media Arts and Technology. Facebook; Instagram; LinkedIn; YouTube; Jacobs works across the fields of computational art and design, human-computer interaction, and systems engineering. Students will be assigned weekly readings drawn from Fine Art, Computer Graphics, Computational Design and Human Computer Interaction texts.Students are expected to complete the required readings and a reading reflection slide by Wednesday at 6pm, as well as engage in group discussions in class on Thursday.Students should also leave comments on at least 2 other reading reflection from their .

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