shure ksm8 vs ksm9

Consistent with legendary Shure microphone innovation, the KSM9 is the first handheld condenser with dual diaphragms and variable polar patterns. I've heard from several FOH pals that the KSM9 and KMS104/105 are sonically very much in the same ballpark. 5 stars: 28 %: 4 stars: Heads Up SoSer's - When SSDs Fail, They Fail Catastrophically! Shure can be proud of their achievements in creating the Dualdyne capsule, and of advancing microphone technology in such a practically valuable way. More about the KSM8 here. SHOCKSTOPPER is a trademark of Shure Incorporated in the United States. Side spill doesnt suffer excessive coloration, and the amount of rearward rejection is impressive and unusually clean. In my experience the KSM8 is a more hi-fi-sounding mic. The KSM9 uses an XLR cable to connect directly to the audio interface or mixer. Basic Analog Systems. Artists seen using the Shure KSM9 include Neil Tennant, Damien Rice and Serge Tankian. As a condenser mic, the Shure KSM9 requires phantom power. The only quibble I have is with the price, which at $499 is 5 times the price of the SM58. Shure describe this arrangement as a reverse airflow technology, and although the pneumatic shockmount was patented over 50 years ago, they claim that no other manufacturer has implemented it successfully. Perhaps the closest competitor to the Shure KSM9 is the Sennheiser E965. Developing the Source Code" that connects business strategy and customer insights to brand essence and product experience. As well as the microphone, the KSM9 also comes with: Dynamic mics are extremely durable, and can withstand a certain amount of rough and tumble. Consequently, the polar pattern will have a deep rearward null, and we call that a cardioid response. But with solid construction, the mic feels nice and sturdy to hold, without feeling overly large. the Telefunken M80). Its similar in design to the classic Shure SM58, but with a squarer grille at the head of the microphone. She will be using IEM with this mic. By achieving greater output level while minimizing proximity effect to an unmatched degree, the microphone provides a clean, richly detailed signal with minimal feedback. Condensers offer a brighter, more detailed sound, which is more faithful to the human voice. Condenser mics are more often found in the studio, where they have the ability to capture small dynamic changes and high-frequency detail. So, are there any downsides? All contents copyright SOS Publications Group and/or its licensors, 1985-2023. At the bottom of the KSM8s capsule is a second passive diaphragm, which is there to seal the rear chamber and its internal acoustic labyrinth. For a more natural, balanced sound, hold the mic between 5 and 10 cm away from your mouth. The high end of the voice comes over with a smooth, neutral aspect, free from the almost resonant peakiness that most stage vocal mics deliver. The Shure KSM9 is a well-known professional audio microphone, and the Neumann KMS 105 is a popular choice for home recording enthusiasts. Usefully, and for related reasons, the mics susceptibility to plosive popping is also dramatically reduced as an added bonus! FR curves are similar (KSM9 has less proximity effect; KMS105 a bit smoother HF bump) and both seem to allow a good singer to sound, well, good. If you could choose for worship music between Shure KSM9, Neumann KMS 105 or Sennheiser E965, what do you prefer? Sweetwaters Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shures KSM8 dynamic mic and KSM9 condenser mic. None. However, even so it is still significantly less expensive than many high-end capacitor stage mics, while it boasts some very useful and unique sonic and pragmatic advantages. I prefer the KSM9 over the Beta87C. SM7b is unique though, so dont expect you can get the exact same performance from another handheld. With state-of-the-art manufacturing from superior components, each KSM8 Dualdyne is meticulously crafted and tested to uphold the quality standards of world-class Shure construction even in the most demanding live environments. The diaphragm at the top of the capsule is a conventional active diaphragm with an attached coil of wire suspended behind it and sitting within a strong magnetic field. Shures Dualdyne capsule is housed in a brand new aluminium handle, which is similar in shape and size to the KSM9 condenser stage. The Shure KSM9 can switch between two different polar patterns: cardioid and super-cardioid. Having used them both extensively with flat EQ no compression and no effects here is my 2cents on these mics. However many singers and sound engineers find themselves needing to upgrade to something a bit more hi-fi. Achieving the sound quality demanded by elite performers and venues no longer requires sacrificing the rugged reliability of a dynamic microphone. It offers a natural, open sound, with a very balanced low-end, beautifully smooth midrange and brilliant highs. The overall off-axis response is very smooth, and although the pick-up pattern is at the broader end of cardioid, theres pretty good rear rejection, particularly noticeable in the midrange frequencies. KSM8. Hi Peter On vocals and speech, although the level changes, you get very similar frequency response from a couple of inches up to about a foot. Though many singers and softer styles of music will benefit from the extra detail and clarity of a condenser. The science behind the Braunmhl-Weber capsule is a little complex, but if you want the full story with all the maths, Shure have produced a detailed white paper on the science and practical effects of the dual-diaphragm capsule, which can be found here: http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf. Shure KSM9 is a professional on-stage condenser mic. But there are some differences. The Neumann KMS 105 microphone is the choice for professionals who demand excellence in their recordings. At this point I expect youre desperate to know how the dual-diaphragm configuration works, but rather than get bogged down in the technicalities here, Ive put it all in a side-box for later reference. The best way I can describe the sound of the KSM9 is that it provides an authentic reproduction of the sound source. . The views expressed are those of the contributors and not necessarily those of the publishers. 2:33 Shure KSM9 Only Both mics have their pros and cons, so it can be tough to decide which one to buy. Your IP: The amount of rear rejection degrades slightly around 6-8 kHz, but not enough to cause any significant issues. A cardioid polar pattern shouldnt pick up any sound from the rear of the microphone. 1:12 Shure KSM8 Only In America, Electrovoice took a very different approach in their EV664 microphone launched in 1954. shure ksm8/n; . Dynamic mics are particularly suited to live and stage use. All rights reserved. Singers with quieter voices will find that a live condenser mic can better convey the emotion and intimacy of their performances. The Neumann KMS 105 is a condenser microphone that is designed for studio use. The kms105 is super clean, clear . KSM8 Dualdyne Dynamic Handheld Vocal Microphone from Shure is a dual-diaphragm dynamic microphone crafted for vocal reproduction and sound-reinforcement in live performances and top-tier professional venues. Nice to know, that. The Sennheiser has some unique features: a low-cut filter switch, for singers who need to remove low frequency noise from the room. Our robust and effective solutions create market success. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. This extended high range will give your vocals that extra sparkle and clarity, and a more open authentic sound. The lower sensitivity allows Shure KSM9 to focus on the user's voice without picking up any sound from other directions. The Neumann KMS 105 is a condenser microphone that has been designed for studio use. Comparison of Shure KSM8 and Shure KSM9 based on specifications, reviews and ratings. Through a multi-disciplinary partnership from research to development, Essential partnered with Shure to help establish user experience principles and a design language for their wireless and wired microphone . And crucial for live use, the built-in advanced suspension shock mount offers good insulation from handling noise and rumble. Second, nonetheless very important feature is a unique grille design that does an impressive job in reducing popping sounds. KSM9 picks up too much stage wash. AE5400, KSM9, VX10, and PR22 do as well. 25 Feb/23. 5/8" to 3/8" (Euro) Threaded Adapter. A cardioid polar pattern picks up sound in a heart shape around the front of the microphone. The cardioid capacitor microphone was conceived in 1935 by Dr Hans Joachim von Braunmhl and Dr Walter Weber, both working for the Reichsrundfunk Gesellschaft (RRG Electroacoustic Laboratories) in Germany during the early 1930s. Reviewed by: Paul NarangReview date: October 2022Current price: Around $500. Its a little more sensitive than a dynamic mic like the Shure SM58, but a far cry from the high sensitivity of some studio condensers such as the AKG C414. When you purchase through links on our site, we may earn an affiliate commission. This means that the strength of the sound emitted from the mic is dependent on the force used to push air through the membrane. Controlling proximity effect in moving-coil mics is not a new idea, and different manufacturers have developed a variety of strategies over the years. It switches between hypercardioid (super-directional) and sub-cardioid (super-wide) patterns. Shure KSM9 vs Sennheiser E965 for Vocals. It has a warm sound that is perfect for female vocals or mellow tracks. A25E. Overall it is a mid-flat mic with low-end roll off around 110Hz, and rather than a single 5-10 dB presence peak around 8 . This might also be a good setting for backing vocals, to get more separation between neighbouring singers. In contrast, the dual-diaphragm capsule achieves a superior cardioid polar response and on-axis frequency response for close (nearfield) sources. Its most sensitive on-axis (at 0 degrees), but also picks up sound around 65 degrees either side of the mic. In the event of some tragedy befalling the mic, replacement grilles and complete capsules are available, if required, so the KSM8 should endure the rigours of touring live sound over a very long life. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. Sound Quality. The user should not attempt to remove or replace this lining. To bring in more of the room sound, and the instruments around you, hold the mic 10 cm or more away from your mouth. The kit includes a regular mic clip and a stiffened soft carry pouch, and theres a choice of finishes - black or brushed nickel. Virtual elimination of proximity effect allows a much larger working range, which translates into a far more consistent sound regardless of mic technique (or its absence!). The CE Declaration of Conformity can be obtained from: www.shure.com/europe/compliance, Headquarters Europe, Middle East & Africa. Neumann are known for producing premium quality microphones, and so its no surprise that the KMS105 gives the Shure KSM9 a run for its money. When unwanted off-axis sources leak into vocal microphones, it can degrade phase coherency and compromise source quality. Shure's KSM9 is a stage condenser in a traditional handheld form factor. shure axient combiner shure axient combiner (No Ratings Yet) . New Release: EDM Expanse (Construction Kits). SHURE KSM9/CGShure118800! Aside from its precious, gold layered, low mass diaphragm, KSM9 uses first class electric components for its preamplifier circuit. There is a widespread popular belief that the microphone is a mature technology that hasnt seen any significant development since the studio heydays of the 1950s/60s/70s (delete according to your favourite musical decade!). Interesting Essay On Sampling Rights and Reforms. The on-axis pickup pattern is well focused, and although moving substantially off axis results in a dramatic reduction of level, the tonality remains remarkably consistent. With these scenarios aside, many vocalists will find that the KSM9 inspires confidence on stage. Dual-diaphragm technology has important benefits for vocal work, which is why virtually every studio vocal is conventionally recorded with a dual-diaphragm (capacitor) mic. Shure KSM8 Shop now at Amazon. Where you hold the microphone in relation to your mouth can make a big difference in sound. So having the benefits of that technology available on stage for the live-sound market is very appealing. Ive heard sales reps say that the KSM8 is better than a lot of condensors out there so presumably Im buying quality with the 8 but still lean towards the 9 since I want to get most out of my live sound.. How ever since my genre is pretty heavy what is your experiance with the feedback rejection on louder stages with the KSM9 VS the quality of the KSM8.. Will the difference in sound quality (depending on EQ + sound guy ofc) by noticable between the 8 and 9? Like most professional microphones, the KSM9 has a low impedance of 150 ohms. In a switchable-pattern capacitor mic the rear diaphragm is made electrically active, of course, and by changing the electrical biasing of the two capsule halves and combining the electrical outputs from both diaphragms, it is possible to create any desired polar pattern from omni through cardioid and on to figure-of-8. The KSM8 is unique in being a dual-diaphragm, moving-coil stage vocal mic. PA Consulting. The unique feature of KSM9 is a switchable pattern (cardioid vs. supercardioid), which gives greaterflexibility for any situation or environment. More about the different types of microphones here. An interesting side-note here is that Ben Bauer, working at Shure in the mid-1930s, developed a broadly similar acoustic labyrinth concept based on Braunmhl-Webers work for a single-capsule moving-coil cardioid mic. Ultimately the Shure KSM9 and Sennheiser E965 are two very similar microphones. However, if you imagine a noisy gig environment, you can see how you might run into problems with feedback and monitor bleed. There is no doubt in my mind that the Shure KSM8 Dualdyne handheld dynamic is a superior microphone for live vocals. England and Wales company registration number 2008885. A built in high pass filter on the KMS105 ensures the mic doesnt suffer too much from the proximity effect, although Id say the KSM9 is slightly better at feedback rejection. At a similar price, therere many comparisons to be made between the 105 and the KSM9. New Loops Releases 'Twin 3 Pro Expansion' 30% off intro discount! 2:11 Shure KSM8 Only Additionally, the KSM9 has a built-in shock mount that helps to reduce noise from vibration, making it ideal for use with high-end instruments. Shure KSM9/CG Dual-Pattern Condenser Handheld Vocal Microphone. In addition to diminishing unwanted movement, the moving piston and internal cavities have been precisely engineered to stabilize the diaphragm amidst mechanical vibration. A perfect choice for precise, intimate live vocals. Happy customers, one piece of gear at a time! The KSM8 has more of a presence peak in the upper mids, whereas the KSM9 feels more transparent throughout the high range. The low frequency behaviour is considerably more forgiving, providing a much bigger sweet spot. The Shure engineers originally patented this technology over 50 years ago, and Shure is the only microphone manufacturer to successfully implement it. This helps to achievean extremely fast transient responseand make the sound more vivid. Shures KSM8 introduces the Braunmhl-Weber dual-diaphragm concept into a moving-coil capsule for the first time, with substantial practical and sonic advantages for the live-sound market. With seven years of R&D costs to recover and some very advanced engineering, this mic is inevitably expensive in comparison to conventional moving-coil stage mics. It can also be a bit more forgiving when it comes to microphone technique. With this taken care of, theres many advantages to using a condenser mic. Thus, it is like you buy one mic but end up with two, and you can switch themwhenever you want, which is quite very awesome. . Popular comparisons. I have heard good things about this capsule. I cant hide my enthusiasm about the Shure KSM9 its a great live mic. Beta 87A on UHF-R Wireless. Cloudflare Ray ID: 7a2dba687d4fa3ab My contacts at Shure were reticent to consider creating a competing product for the venerable SM58 and the newer Beta 58A. Because of this, Shure KSM9 is much easier to use when there are other singers or instruments on the stage. Did you mean the KSM9? Theres no on/off switch on the KSM9 or any of the Shure KSM range. Less spiky in the high mids, which means it sounds a lot better soloed, but doesn't sound as up front with a band. The younger sibling of the KSM9 is the Shure KSM8. No one has been able to do that before now, and Shure proudly describe it as The most significant dynamic microphone technology advancement the industry has seen in more than 50 years.. Our web address is www.shure.com. The KSM9 boasts a wide frequency range from 50 Hz to 20,000 Hz. . This labyrinth is designed to delay sound from the rear, and is critical in achieving a directional polar pattern. PR35 has a lot of fans. And although the smooth midrange suited the guitar cab, on snare drum we really missed the boost in brightness that an SM57 brings. This pneumatic shockmount employs tuned and damped cavities which are effectively pressurised by the sound waves which pass through the rear of the capsule and are then guided down into the shockmount itself. Web site designed & maintained by PB Associates & SOS. Strategically positioning and bringing to life new brands. Moving significantly beyond that range causes the bass level to fall off gently, and by 600mm (two feet) there is an obvious but still gentle attenuation of frequencies below about 100Hz. For many live situations, a decent dynamic mic may be good enough. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. $621.00. and if so what are your opinions. The switch is under the grille. This ensures a smooth transfer of the signal from the microphone to the pre-amp, without any loss of signal quality. There are no user-serviceable parts inside. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. The Shure KSM9 is a high-quality condenser microphone that is designed for live performances. Good Luck! In fact there are only a couple of small (less than 3dB) ripples in the response (around 3 and 5 kHz), with a fairly steep roll-off above 12kHz. Black, Soft Flex Swivel Stand Adapter for KSM8 and KSM9. It is intended for vocal use. A supercardioid pattern is a little tighter around the mic, picking up sound around 57 degrees each side of the mic. It is also available in both wired and wireless versions, which makes it ideal for use in a variety of settings. This was the companys first model to use their Variable-D technology, although the concept wasnt patented until 1963. The Neumann KMS 105 is a great choice for studio vocals. Sound enters the microphone via the side entry inlets and passes through the rear second diaphragm before striking the front diaphragm. These marks may be registered in other jurisdictions. I haven't tried the sennheiser but I can tell you my experience with the kms105 and the ksm9(the ksm8 is a dynamic). Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself . She owns a EW 115, perhaps I could just upgrade the capsule? The Shure KSM9 is a higher-end microphone that is known for its clear sound quality. Available colors: User rating: 71. 2:46 Shure KSM8 Only Overview. Professional vocalists are always repositioning their mics to change the tone and add expression to their performance. Our team combines the holistic capabilities of researchers, designers, and engineers to craft and deliver solutions that align technical possibilities, market realities, and the needs and goals of people. The active and passive diaphragms differ in that the active (top) one has a coil attached.Although the rear diaphragm isnt used as part of the electrical circuit in a fixed-cardioid capsule, it was subsequently discovered that it does play an important role in modifying the capsules proximity effect, which Ill come back to in a moment. SM86 is Shure's best compromise. But the Shures smaller dual diaphragm design may give it the edge when it comes to a natural, clear and authentic sound. This means theyre prone to overload and distortion from louder singers. And lets hope youre not positioned next to the drum kit! It is also nice to admit the technological advancements implemented in this unit. 3.7 out of 5. I work with a female vocalist who is looking to upgrade her microphone. Off-axis frequency response is very smooth. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. The output of these capsules is manipulated electronically to support two pickup patterns . Patent Notice: Patent Des. At first glance it looks just like any other conventional stage vocal mic theres nothing in its styling that signposts the clever technology within. Called the Diaphragm Stabilisation System, or DSS, this smart technology protects the active diaphragm, preventing excessive excursions or rocking motions during plosives or physical knocks. We are excited to continue our mission and build the next dynamic design and innovation team that can envision, shape and create new growth platforms for the ambitious. Sound Magic Blue Grand, 2 Steinway grand pianos collection, Crackling / Popping Noise on XLR Microphone, Roger Linn teaches "Designing Physical Interfaces for Music". Technical features include two ultrathin diaphragms, a neodymium magnet, a dent-resistant carbon steel grille, a new internal pneumatic shock mount and diaphragm stabilization system, and integrated hydrophobic wind protection. Finally, dynamic mics are passive meaning they dont require any power. One of the very latest advances was introduced by American microphone manufacturers Shure at the Winter NAMM show at the start of this year, in the form of the worlds first dual-diaphragm dynamic handheld microphone, the KSM8. All rights reserved. The dent-resistant mesh grille is constructed from a hardened carbon-steel wire and permanently lined with a hydrophobic fabric. Between the KsM9 and the E935 which would be better for handheld studio rap/vocals? Instagram: @marcusdscott, After you watch, check out Sweetwater.com today for all your music instrument and pro audio needs! For information on microphone use and applications or for a more comprehensive look at the technology behind the microphone, visit www.shure.com for educational publications on these topics and more: The KSM8 Dualdyne Cartridge utilizes a reversed side entry airflow system. Both the SM57 and SM58 are favoured for their workhorse-like reliability and durability. Theyre reliable, and lots of them sound great. At the rear of the diaphragm the acoustic combination of these separate signals with altered phases and amplitudes results in an accurate cardioid polar pattern with a greatly reduced proximity effect. Big venue or loud stage this mic will definitely cut through the . Enter the KSM9, a new handheld condenser microphone developed for high end live sound usage. Shure QLXD2/KSM9. This is great for recording ambiences, or in a controlled environment like a recording studio. KSM8 in Nickel (G50) KSM8 in Black (G50) KSM9HS (G50) SM87 (G50) SM86 (G50) And don't forget about the optional SB900A rechargeable lithium-ion batteries . The dual-diaphragm microphone delivers a smoother response throughout the vocal range and is less susceptible to improper microphone handling, requiring less corrective signal processing and resulting in a more natural sound. A strong presence peak centered around 4 to 5 kHz is used to counteract the increased bass. #Sweetwater #Shure 0:00 Intro The Neumann KMS 105, on the other hand, is a more affordable option that still provides great sound quality. and all parts are high grade. Shure: KSM8 & KSM9 Microphones. But on closer inspection, each mic has their own distinct but subtle character. It has a very clear sound with a lot of detail, making it perfect for recording vocals. You are using an out of date browser. Keep in mind, Heil mic is more sensitive, which is both a pro and a con. Crucially for a live condenser, theres also a suspension shock mount. Despite being a condenser, the design is well adapted to gigging. Handling noise is extremely low and never gave any problems, even when I was deliberately trying to be clumsy!

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